The UMC404HD pictured with a Technics SH-400 CD-4 Disc Demodulator, Sony TC-388-4 reel-to-reel tape deck, and a pair of Concord DBA-10 Dolby system decoders. I also have the ability to further enhance the sound quality of these recordings utilizing noise reduction and equalization processing within the Pro-Tools DAW. Now that I have the ability to create digital copies of these rare recordings, I no longer need to worry about investing further in the expensive vintage gear used to play them back. All I had to do was purchase four male XLR to RCA adaptors and use those to connect the output of my quad decoder or tape deck to the front panel of the Behringer. Daunting as the task seemed at the time, the Behringer unit made it incredibly simple.
What initially drew me to purchase a UMC-404HD was the desire to digitize my ‘70s-era quadraphonic LP and tape collection.
Finally, there’s a standard 48-volt “phantom power” switch for those who wish to connect a condenser-capacitor microphone such as the Neumann U-87. It also features standard composite playback outputs, as well as a balanced stereo output and a MIDI input/output. The back panel contains four ¼ inch insert connections, intended to patch in outboard gear such as a hardware compressor or equalizer (note: do not use these as inputs!). The mono-to-stereo switch could be useful to identify any acoustical phase-related discrepancies within one’s recording setup. There’s also a standard ¼ inch headphone jack and some basic controls to shape an on-the-fly monitor mix. The controls for each input include a gain dial, a 10 dB attenuator (pad), and a switch to toggle between line level and instrument level. The front panel of the device features four XLR inputs, which accept either balanced (male XLR) or unbalanced (¼ inch guitar cable) connections. By connecting the Behringer’s USB output to a laptop or desktop computer, one can capture the signal in their digital audio workstation software of choice (Pro Tools, Logic Pro, Nuendo, Audacity, etc).
The UMC-404HD is capable of recording high-resolution audio at up to 192-khz/24-bit via the internal Midas Mic Preamps. For someone who’s just finished their undergraduate degree and is looking to go freelance, it may not be possible to invest in a expensive top-of-the-line recording interface from the likes of Apogee or Universal Audio.īehringer’s UMC-404HD is the perfect starter unit for the up-and-coming audio professional or even non-professional enthusiast, offering four inputs and four outputs for around $100. Perhaps the most daunting aspect of pursuing a career in audio or music production is justifying the cost of a good recording/mixing interface.
0 kommentar(er)
